5 Ways to Put the Romance into Necromancy by Sarina Dorie

Today on ShadowSpinners we welcome Sarina Dorie, creator of the popular series: Womby’s School for Wayward Witches.

 

5 Ways to Put the Romance into Necromancy—Writing Romance

 by Sarina Dorie

I have a background writing science fiction and fantasy. I am a member of SFWA (Science Fiction and Fantasy Writers of America) and the majority of what I write has some kind of speculative element. I also have a passion for romance. I’m a member of RWA (Romance Writers of America) and a lot of what I write has a romance plot or subplot. I am bored by stories that don’t include female characters and relationships of some kind. I love sci-fi but if it is all engines, laser guns, and starships blowing up, my eyes glaze over. That is just my personal preference. I know what I like to read and what I want to write.

Put the two genres together that I am passionate about, and we get paranormal romance—if the story contains vampires, werewolves, and witches in contemporary settings. When it has a werewolf but it isn’t contemporary, it might be fantasy romance or even science fiction romance if it is set in the future. Sometimes the combinations can be pretty eccentric. Because I like humor, eccentric works for me. But this is also coming from someone who has a short story titled “Putting the Romance Back into Necromancy,” and I have an urban fantasy romance titled “Reading, Writing and Necromancy,” which is part of my Womby’s School for Wayward Witches Series. These are funny horror or humorous urban fantasy romances that use both genres to their advantage.

If you are thinking about including romance in a story or writing a romance, consider a few things first:

1.Understand what romance is.The love story should be necessary to the plot. The characters need to have a HEA (happily ever after) or HFN (happy for now) if it is considered romance. It is fine if it doesn’t, but if that is the case, it might be horror with There is a difference and readers have expectations when a book is marketed as a romance. Just because you are including a love story doesn’t make it a romance.

For example, someone told me I needed to see Me Before You because I would love it—because it was a romance and it was about a woman with unusual fashion tastes like me, apparently. I watched it, and I loved it, then I got to the end, and realized it wasn’t a romance. Then I hated it. But I didn’t really hate it. I actually like the movie a lot, but I went into it with the wrong expectation.

 

2. Find the heat level appropriate for the story. Not all romance has sex. The point of a sex scene in a well-written romance should be part of the plot and character arc. Just as a science fiction novel would be broken without the science, taking the love scenes/relationships out of a romance novel would break the plot. If the novel doesn’t need a sex scene or it is outside your comfort zone, you don’t need to include it.

There are many romance novels out there that do not have sex scenes on the page or implied. Some books end on the proposal, wedding, or a happy moment when the characters finally kiss and confess their feelings for each other. Young adult, sweet romance, and inspirational don’t include sex scenes. On the other end of the scale, erotica is more sex scenes than plot and can include a variety of kink like ménage, harem, or bondage.

 

3. Find the tropes for your genre. A trope is a plot device. All genres have them. It isn’t that a trope is inherently bad, although some readers hate particular ones while someone else loves that trope. Readers expect them. In romance, the trope is generally the element that helps the hero and heroine meet or keeps them apart. The thing that makes a trope work is subverting the readers expectations so that the writing feels fresh and original.

If you are writing a horror novel, mystery, historical, thriller, etc. my favorite tropes might not be the tropes you and your audience are drawn to. Figure out what works for you. How do you find tropes appropriate for your genre? (See article: Paranormal Romance and Fantasy Romance Tropes.)

 

 

4. Enjoy the process of research. If you are a writer, you probably enjoy reading. I know all of us writers say we are all too busy to read, but we need to do it to see good examples and bad examples. The guilty pleasure that makes my life more tolerable is audiobooks. I love reading, but I don’t always have time. It is a handy way for me to do research. I “read” books and analyze why I find it trite, boring, and lacking in sexual tension or why I am rooting for the characters. Is it the evocative language? Is it the way the author captures the senses? Is it the building tension between the characters? There is a lot of different kinds of romance—and love stories that are beautiful but are not the romance genre.

Find out what works for you and what doesn’t, whether it is style, language, heat level, or tropes. If you disdain the genre and the idea of including a happy ending, love scene, or relationships, ask yourself why you are punishing yourself by writing a romance. Maybe you really are wanting to write horror with romance elements.

I thought I was writing a slow-burn romance series when I started Womby’s School for Wayward Witches, but as I wrote more books, I realized the romance was not the central plot in every book. It was the B plot. Also, not every book had an HFN or HEA ending with the romance. Because I have done my research and I know my genre, I know what these books are and are not. I would call them urban fantasy mysteries with romance. I had a lot of fun writing them, and I think readers are enjoying reading them, so I am okay with them not being romance.

 

5. Practice—in whatever way makes sense to you. For me, practice is writing. Sometimes writing short stories or flash fiction can be a great way to exercise the mind and get out ideas. A couple years ago at a Romance Writers of America meeting I attended, one presenter talked about how she makes sexy storyboards of all the things to set the mood. At another meeting, a different presenter talked about all the positions she tries with her husband—then has to race away from bed to go write down all the positions it is humanly possible for people’s bodies to contort into. Whatever floats your boat, right?

Whether you are interested in including romance in your genre because it is what you like to read, you are interested in tapping into a different market, or it fits into the story you are writing naturally, I highly recommend checking out Romance Writers of America as a resource.

 

 

Sarina Dorie has sold over 150 short stories to markets like Analog, Daily Science Fiction, Magazine of Fantasy and Science Fiction, Orson Scott Card’s IGMS, Cosmos, and Abyss and Apex. Her stories and published novels have won humor contests and Romance Writer of America awards. She has over two dozen books available on Amazon including her steampunk romance series, The Memory Thief and her collections of short stories like Fairies, Robots and Unicorns—Oh My! are available on Amazon, along with her series Womby’s School for Wayward Witches.

You can find info about Sarina Dorie’s short stories and novels on her website:

www.sarinadorie.com

 

The best way to stay in contact with Sarina Dorie, hear about what she is writing, know when she has a new release, or books offered for free on Amazon is by signing up for her newsletter.

https://mailchi.mp/sarinadorie/authornewsletter

 

Paranormal Romance and Fantasy Romance Tropes by Sarina Dorie

This week on ShadowSpinners we welcome Sarina Dorie, creator of the popular series, Womby’s School for Wayward Witches.

 

Hades & Persephone: To the Underworld

 

Paranormal Romance and Fantasy Romance Tropes

 by Sarina Dorie

What is a trope?

A trope is a plot device. All genres have them. When done well, a trope feels natural and necessary to the plot. When it isn’t done well, it feels contrived or unoriginal. It isn’t that a trope is inherently bad, although some people are very opinionated about the ones they love or hate.

In every genre, readers expect them. In romance, the trope is generally the element that helps the hero and heroine meet or keeps them apart. The thing that makes a trope work is subverting the readers expectations so that the writing feels fresh and original.

 

What’s an example of a trope?

For example, one of the tropes of Romeo and Juliet (which is a love story, not a romance in case you didn’t realize it) is the idea of enemies to lovers or rival houses. This is the same trope in Westside Story. It’s used in many other movies, books, and television shows.

 

In Twilight, the idea is used with vampires versus werewolves with the protagonist being caught in the middle. After Twilight was published, this trope was used a lot in paranormal romance, specifically the rivalry of vampires versus werewolves. It became an easy (and sometimes lazy) way of creating conflict. For years every paranormal fantasy novel I picked up had rivalries between vampires and werewolves. Writers kept writing it because readers kept reading it.

But every plot was the same: He was a misunderstood vampire with a dark past. She was a werewerewolf/werebear/werepanther trying to avenge her clan. They were mortal enemies, but the only thing they could think about was each other.

 

The trope got old. The conflict felt contrived. People made fun of the genre. This is probably why What We Do in the Shadows worked so effectively. It subverted the viewer’s expectations. The vampire versus werewolf rivalry focused more on the bromance of the story. The actual love story/romance was the B plot (secondary plot) for one of the other characters. This B plot also explored tropes taken to their extreme. And of course, there was the unforgettable line from this movie “werewolves not swearwolves” that lives on in my memory forever.

 

What are examples of your favorite tropes?

That’s just me and my preferences. That trope of enemies to lovers or rival houses lives on in paranormal romance.  When done well, it doesn’t feel contrived, but there are other tropes that other people don’t like because of the execution. Some of my personal favorites that I use in my fantasy and science fiction romance novels are:

Beauty and the Beast

Fairy Tales

Enemies to Lovers

Love Triangles

Sassy heroine

Amnesia

Tragic past

Was it a lie? (disguise/undercover love)

Breaks her heart to save her

Noble rescuer steps in because she’s dating Mr. Wrong

 

Anyone who has ready my Womby’s School for Wayward Witches Series is going to recognize some of these. The first two tropes work especially well in the kind of fantasy and science fiction I write. Sometimes my monster/beast is the pretty human or an unassuming Prince Charming is the real beast. I already like fairy tales and fairy tale retellings, so fracturing a fairy tale worked well for me like in my novel WRATH OF THE TOOTH FAIRY coming out in the summer of 2019. Think about Shrek and why it did so well. The movie completely subverted our expectations.

 

How do you use a trope?

Everyone writes differently. I don’t usually set out to write a trope, it just happens. In the editing phase or partway through writing, I try to be aware of elements that might not be original and subvert expectations. If you are writing a horror novel, mystery, historical, thriller, etc. my favorite tropes might not be the tropes you and your audience are drawn to. Figure out what works for you.

 

How do you find tropes appropriate for your genre?

Do some research. A while back I found some lists of romance tropes. None of these are complete. There are more I find myself using that aren’t on these lists, but it gives you a starting point to think about.

145 Romance Tropes

https://goteenwriters.com/2015/12/16/145-romance-tropes/

All the Kissing’s Favorite Romance Tropes

https://allthekissing.com/2018/02/atk-romance-tropes/

Romance Tropes: What Words for Romance Readers

http://arghink.com/2015/10/romance-tropes-what-works-for-romance-readers/

Sarina Dorie has sold over 150 short stories to markets like Analog, Daily Science Fiction, Magazine of Fantasy and Science Fiction, Orson Scott Card’s IGMS, Cosmos, and Abyss and Apex. Her stories and published novels have won humor contests and Romance Writer of America awards. She has over two dozen books available on Amazon including her steampunk romance series, The Memory Thiefand her collections of short stories like Fairies, Robots and Unicorns—Oh My!are available on Amazon, along with her series Womby’s School for Wayward Witches.

You can find info about Sarina Dorie’s short stories and novels on her website:

www.sarinadorie.com

The best way to stay in contact with Sarina Dorie, hear about what she is writing, know when she has a new release, or books offered for free on Amazon is by signing up for her newsletter.

https://mailchi.mp/sarinadorie/authornewsletter

 

 

Five Common Mistakes Among Writers

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By Sarina Dorie

When we go to a job interview, we wear our best suit, come with a list of references, and might even remember to put on deodorant. At least, we do if we want the job. When we format a manuscript, self-edit a novel, or polish a book before sending it off to an agent or editor, we strive to present it as though we are professional writers who know what we are doing. At least, we do if we want to be published. Whether a seasoned writer, or someone just starting out in the writing process, there are weaknesses we don’t always recognize in our skills. We get into ruts with grammar, formatting or stylistic “rules” we learned early on in high school writing classes that are bad practices in professional writing. Learn the common mistakes so you can recognize when you make these in your writing so you can avoid them.

 

Five Common Mistakes

 

  1. The manuscript isn’t in manuscript format

Short stories have a particular format and novels have different requirements. Additionally, some publishers have very specific variations from the standards that a submitter must be aware of. The number one cause listed on editor, agent and magazine websites for writing to be rejected is not reading the guidelines.

 

  1. Grammar errors and inconsistencies

Sometimes a simple spell check will suffice. Other times, one needs to look up rules that are unfamiliar. Some rules of grammar are meant to be broken, but it is important to start with foundational knowledge and break a rule consistently if one chooses to do so. Classes, critique groups, peers and beta readers can help.

 

  1. The mechanics of the story are broken

Sentence structure is unvaried, past and present tense rules are not consistently followed, or there are various typos not covered under grammatical errors that make the manuscript a chore to read. It is common to find long sections of dialogue without dialogue tags, setting information lumped together, chunks of unbroken interior monologue or sensory information in one section, and long expanses of exposition in others. The story might be all, or large sections of, telling.

 

  1. The story itself is broken

The premise is unbelievable, the idea is trite or overdone, or the plot has no story arc. Maybe the characters are so unsympathetic the reader can’t get into the story or the writer has gotten a vital piece of information wrong that affects the story. This can be pretty important if an author is writing a paranormal romance with werewolves and the characters and plot don’t reflect accurate, wolf-like traits.

 

  1. The story is boring

This usually means it lacks conflict. It might also be because there is no hook in the beginning, or it could be because the reader doesn’t understand or care about the characters’ motivations, feelings or situation. The reader needs to be emotionally invested. Sure, it might just be because the reader isn’t the author’s target market, but even romance readers can be persuaded to read a mystery if they care about the characters or a mystery reader can read a romance if they are invested in the plot.