How a Writer Might Live Forever

By Cynthia Ray

The world is fascinated with creativity and how it works, perhaps because it has an almost magical quality to it, where ideas and inspiration seem to arise out of nowhere.  Science continues to study, research and even map the brains of creative people, uncovering new and amazing things about creative expression.

Research has validated what many cultures throughout time have known, that creative expression can make a powerful contribution to health, well-being and healing.

That making art and participating in creative endeavors, whether it is photography, collage, music, dancing, painting or writing has mental and physical health benefits is now accepted as a scientific realty.  Creating art and music enhances health and wellness, and specifically, expressive writing is linked with improved immune system response.

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One does not have to be especially creative or artistic to reap the benefits.  Anyone can journal.  Writing is an excellent choice because it doesn’t require any special equipment to begin, all you have to do is open the computer, or pick up a pen and piece of paper and let it flow.

In addition to positive changes in our mental and emotional states, creative expression and expressive writing effect actual physical changes in the body, enhancing immune response and speeding healing from trauma and injury.

This excert from an article titled Make More Art-the Health Benefits of Creativity illustrates the effect.

“The act of writing actually impacted the cells inside the patient’s body and improved their immune system. In other words, the process of creating art doesn’t just make you feel better, it also creates real, physical changes inside your body.”

Another scholarly article documents how one experiment with expressive writing worked, and the amazing positive results.

“The researcher had students write about their deepest thoughts and feelings on an important emotional issue, with the only rule being that “once you begin writing, continue to do so until your [15- to 30-minute] time is up.”  Dozens of replications of these types of studies have demonstrated that emotional writing can influence frequency of physician visits, immune function, stress hormones, blood pressure, and a number of social, academic, and cognitive variables. These effects have been shown to hold across cultures, age groups, and diverse samples.

There are only a few examples, and here a couple of additional articles to puruse if you are interested in learning more about Writing to Heal and the health benefits of expressive writing.

Since I work in healthcare, I receive notifications of interesting health topics almost daily, and last week, I was sent a link to a study where researchers identified the top 10 things that contribute to an individuals likelihood to live longer.  They were surprised to discover that the top two contributors to reduced mortality were having a close friend or person upon whom you could rely, and talk to, and connection with others in a real way. the NY times article says:

“In a study of 7,000 men and women in Alameda County, Calif., begun in 1965, Lisa F. Berkman and S. Leonard Syme found that “people who were disconnected from others were roughly three times more likely to die during the nine-year study than people with strong social ties,” John Robbins recounted in his marvelous book on health and longevity, “Healthy at 100.”

This major difference in survival occurred regardless of people’s age, gender, health practices or physical health status. In fact, the researchers found that “those with close social ties and unhealthful lifestyles (such as smoking, obesity and lack of exercise) actually lived longer than those with poor social ties but more healthful living habits,” Mr. Robbins wrote. However, he quickly added, “Needless to say, people with both healthful lifestyles and close social ties lived the longest of all.”

 Writing is magic, and so is loving connection-the combination is potent.  My take away is this:  Writers could live almost forever if they spend part of the day writing, and the other part connecting with real live humans.

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Waiting for Inspiration

By Elizabeth Engstrom

So here I sit, facing the blank page again.

The house is quiet, I’ve had enough coffee, I’m sick of social media. I am ready to write.

But what shall I write? Shall I tune up—yet again—that old broken short story that I’ve messed with for years? Shall I pull from the trash that old novel that I have pulled from the trash several times already and work on it? (Seriously. It’s back in the office closet. It needs to be in the trash.)

Or should I imagine something new, something fresh?  Yes, that’s it. That’s what I’ll do.

But what?

I know what. It’s what I always do, and it works.

L'Engle

 

Most people will go to the garden, or take a walk, or bake something, or worse, turn on daytime television. Inspiration will rarely come to you when you’re doing something other than sitting at the keyboard. Occasionally, I’ll get inspiration in the shower or on a walk, but that almost always involves a work in progress that has hit a snag.

For the fresh idea, I have to be sitting here, right here, ready to go.

And if nothing comes, if nothing in the past few days has piqued my interest sufficiently, then I begin my 10-minute free writing exercise. Timed. Internal editor off.  I just write whatever comes into my head and through my fingers to the keyboard. Most times it’s drivel. Sometimes there comes a germ of an idea.

At the end of the ten minutes, I stop, take a sip of coffee, read the crap I’ve written and see if there’s a thread there that could be pulled up. Sometimes no, but most times yes. And then I proceed, internal editor activated as usual.

Do these things always end up as stellar short stories or novel-length work that can take up to a year of my life? No. But it keeps the writing and imagination machinery greased and working. And keeping the skills alive is  mandatory.

Not everything I write is publishable—far from it—but if the ratio is 90%/10%, then I best be getting on with that 90% of unpublishable stuff so I can get to the good stuff.

I get up in the morning, and I go to work, like everybody else. I don’t wait for inspiration.  I can’t afford to.

Sometimes I have to go hunt it down.

Deadline Heaven and Life Management Skills Hell

heaven-or-hellBy Lisa Alber

Our fantastic webmistress of the ShadowSpinners world, Christina, sent me a nice email just now pointing out that yesterday makes twice in a row that I’ve missed a blogging deadline. The funny thing about deadlines is that I’m quite good at making them.

So, what’s my excuse this time? Why am I preoccupied enough that this blog has slipped my mind?

The answer is—deadlines! Yep. Coupled with a tendency to be chaotic. In December, I spaced out about this blog because I was feverishly finishing up my Labyrinth of Souls (yay!) novel for a December 31st deadline. So excited about it—can’t wait to tell you more. That and holiday stuff and regular work deadlines were enough to put me under.

And this month? A Feb 1st deadline for a short story that will appear in an anthology in about a year. You’d think a short story wouldn’t be that big a deal, but they are for me since I don’t write them that often. That coupled with my usual seasonal affective disorder and even more regular work deadlines was enough for this month.

However, since I have a new day planner for 2018, I’m going to write down a standing reminder for the first of each month: Check Shadowspinners blog posting deadline. Doing it now … Did it!

Despite not being up on everything in my life—for example, my garage door broke over a month ago; just got it fixed yesterday—I’ve been in heaven with these deadlines. I have a sense of purpose in life anyhow, but deadlines give the purpose a nice ooomph. I like that, especially when I’m having so much fun with the writing projects. Both the LoS novel and the short story were a blast to write because they were outside my usual voice and story space.

Now I’ll be returning to my regularly scheduled writing project: the next mystery, a standalone set in California in a genre I’m calling “California gothic.” I can relax a bit with this one, but the truth is that there’s always something to cause static, isn’t there? This month it will include money stuff because my wee dog Fawnie needs double knee surgery (poor thing!) and that’s expensive. So I’ll be working more than ever.

<shrug, that’s life>

One of my goals for 2018 is to minimize static and chaos. That sense of not being able to keep up, of having life itself feel too complicated and rushed all the time. It’s an ongoing process of improvement, for sure. Here are my top four strategies, for the moment, subject to change:

  1. Less social media. Social media increases static, wastes times, and distracts. Enough said.
  2. Write things down. Said day planner – yes, actually use it in a proactive way. Chunk out sub-tasks so things don’t feel so big. At the end of the day, give it a look to see where I am and plan for the next day. This it time management 101 stuff, but I’ve always gone by the seat of my pants and kept things in my head—which increases static big time. Writing it down releases it.
  3. Embrace a few routines and rituals. I’m not into routines or rituals—I tend to free-wheel it through life. I get bored and restless. I need variety and to change it up. That said, a few small routines could help streamline my life. For example, readying the coffee, food, clothes, etcetera, for the next day before I go to bed. That way, I’m not muttering around in daze when I could be getting straight to the writing.
  4. If it’s a little task, like sending an email, just get it done then.

You’d think I haven’t been functioning well as an adult for eh-hem number of years. I have to accept the fact that I’m getting older and can’t keep everything in my head anymore, plus life is that much more complicated these days. What’s “normal” is ever a-changing!

What strategies do you employ to lessen static and chaos in your life?

Do The Hop

by Christina Lay

If you’re a writer looking for low-cost marketing opportunities, there’s no shortage of options. With so many social media platforms, apps, websites and companies offering all sorts of promotional services, deciding on what is an effective use of your time and resources can be overwhelming. I am personally in a constant state of whelmed, especially now that I am promoting a series of books on behalf of ShadowSpinners Press and not just my own. This requires me to reach across genres, constantly in search of that blog, ezine, reviewer or tour company that can help me get the word out to the right set of readers. It ain’t easy, and is very much a matter of experimentation, not to mention that results can be hard to determine.

One activity I’ve found to be consistently worth my time is participating in blog hops. For those of you who have no idea what that is, a hop is usually set up in one central location (a dedicated webpage or perhaps a feature on an author’s blog) where the links to all the participants’ blogs are listed. The idea is that the reader can go to one location to find many authors in one place. Often the hop is united by genre, sometimes holiday specific flash fiction, or even a cause, like the Hop Against Homophobia. Often they take place once a week on the same day all year. Sometimes they are an annual event.

Most of the blogs I’ve participated in require the author post a short excerpt from their work. I find this to be by far the least painful form of blogging, as it requires minimal effort to assemble a post. Also, an excerpt is the best way for a reader to decide if they are interested in reading more. But there are more benefits to blog hopping than marketing. Below are the main reasons I’ve kept this up even while other promotional activities fall by the wayside.

  • Connect with other writers: Writing is a lonely endeavor, and workshops and conferences can be few and far between. Regular participation in a hop can lead to virtual friendships with like-minded writers (and readers!). Not only can you commiserate, ask questions, and share victories, a virtual connection can lead to much more. My hopping has earned me an interview on USA Today online, guest spots on numerous blogs, chances at group marketing, sales, reviews and connections with authors who’ve contributed to this blog.
  • Spy on other writers: You don’t have to visit many blogs to figure out which writers have it going on. Their websites are professional, their content is engaging, and they are always friendly and willing to reciprocate. When I find a writer whose presentation I admire, I check out what they’re up to. What other hops do they participate in? Who hosts their website? What sort of promos do they run? Who creates their book covers? What does their newsletter look like? There are all sorts of things you can learn just by looking around, and a hop is a great place to find active, professional indie writers.
  • Motivational Editing: There’s nothing like putting your work out there for all the world to see to get you to do that critical bit of proofreading and editing. Most blog hop posts are short, so you really get to hone in on those few precious words. The hop I most frequently participate in, Weekend Writing Warriors, limits excerpts to ten sentences. Because I’d like to get a satisfying mini-scene into the post, I often find that I can cut a sentence or two and make that paragraph stronger and more exciting.
  • Motivational Writing: If you’re the kind of writer who needs a little push, knowing you need that scene or those ten sentences or that piece of flash written in time for the hop you signed up for can really get you going, especially at 10 PM the night before when you’d rather be binge watching Paranormal.
  • Find books to read! Writers are readers, believe or not. I’ve purchased many books based on excerpts I read on hops, and have even become addicted to a series or two. These from Indie writers I never would have discovered otherwise.
  • Keep that blog active: As I said before, posting an excerpt is easy-peasy compared to crafting an article from scratch. Every writer knows they have to have a website, but then what? How do you keep it from sitting untouched for months at a time? Commit to an ongoing blog hop, and you won’t have to rack your brain for ideas.

Here’s a list of a few hops to check out. And if you don’t find one to suit you, you can always start your own.

www.weekendwritingwarriors.com

http://www.thatartsyreadergirl.com/top-ten-tuesday/

https://www.facebook.com/groups/snippetsunday/

https://www.facebook.com/groups/RainbowSnippets/

 

 

 

Why is Writing Fiction so Difficult?

by Matthew Lowes

Years ago I taught a creative writing course, and I began the first class by writing a mathematical equation on the board. I suggested that the great difficulties of writing fiction could be understood through this equation. It was partly just a way to shock students into thinking about and seeing something in a new way. But the equation itself was a result of my own inquiry into the question: why is writing fiction so difficult?

At first consideration, it doesn’t seem like it should be. A friend of mine once remarked when I complained about some writing difficulty: “What’s the problem? Just make something up.” And indeed, in some sense this is good advice. He was only joking, but his comment actually helped solve my problem. When all is said and done, we are just making up stories. But like any good lie, you would like it to be believable … and like any good truth, you would like it have an impact. And to do this, you have to keep your story straight.

A piece of fiction may start with a character, a setting, an event, an image, or any number of things or aspects of these things. The story then builds with another thing and another thing and all the interactions and connections of these various elements. For the sake of argument, let’s call each one of these things, be it big or small, a story point.

The first one is easy. Take anything — the queen of a small island that is sinking into the sea … a young artist sent to the front lines of long and futile war … an ancient city on the edge of the desert … a fleeting glimpse into a stranger’s eyes — or just make something up. Like flashes from half-remembered dreams, these points bubble up from the subconscious, and a thousand stories begin to form.

One point, however, does not a story make. You have to add another point and another and another. And not only do the accumulation of points have to build tension and conflict, but they also all have to somehow exist harmoniously with each other. Each point that you add forms another connection, not only with the previous point, but with all previous points. And it turns out you can express this with an equation.

What this shows (I think … I worked this out with some help many years ago) is that for each new point added, the number of connections increases by a number equal to all the previous points. So with two points you have one connection; with three you have three; with four you have six; with seven you have twenty-one; and so on. By the time you reach fifteen points there are over a hundred individual connections. It doesn’t take a math whiz to see that the number of connections increases exponentially as you add more points.

Furthermore, this equation is only accounting for single direct connections to all other story points. If you want to count all possible connections through other story points, the numbers get truly astronomical — mind boggling! But you get the idea. There’s a lot to keep straight as you move forward. Luckily, it seems our minds are somewhat tuned to do this narrative processing work. Nevertheless, in any given story, and especially a novel, there’s a lot to keep track of.

And that’s just the telling a good lie part. If you want to include the good truth part, we’re going to have to add another dimension — a dimension composed of layers, consisting of all these same points on the level of theme, voice, writing, metaphor, character change, plot structure, mythic underpinnings, and so on and so forth, up to and including the ineffable.

That’s why writing fiction is so difficult.

Reader Experience of Character

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The Instructor during A Relaxed Fiction Fluency Seminar Moment (Source: MK Martin.)

Reader Experience of Character; by Eric Witchey

First, an apology. I’ve been very busy working on consulting work and preparing a couple of classes, so I’m late on my volunteer, shared blogging commitment. Mea Culpa. To rectify that, I’m offering a few thoughts from the first class of a six month series I’ll be doing for WordCrafters in Eugene. A link to the class appears at the end of this little essay. The classes can be taken as stand-alone classes or as a coherent series at a discount. Regardless, they will be fun and applicable to both long and short form fiction.

Now, on to a few character concepts to consider. This is, essentially, the introduction to the first class and an invitation to join us.

Begin:

Character exists in the mind/heart of the reader. Given the same text, no two readers have exactly the same character in their mind/heart. Reader perception of character is made of up of 1/3 literal text, 1/3 implication, and 1/3 projection. Once the reader has internalized an understanding of the interaction of the thirds, the writer violates the reader’s perceptions at great risk of losing the reader. I’m not saying it can’t be done to good effect. I’m saying it is rare, risky, and should only be done intentionally or if the writer believes they are a god of luck.

Figure 1 shows the components that the reader combines to create their experience of character/story: Text, Implication, and Projection.

VennImpProjTextFigure 1: The Reader Creates Character in Their Mind/Heart through Interaction of Three Mechanisms

While the reader derives their perception of character from the above mechanisms, the internalized construct that is the imagined character in their minds can be described as a different three part construct.

Thanks go out to James N. Frey for first introducing me to this consideration of character aspects.

From text, implication, and projection, the reader builds up an aggregation of beliefs about the character’s psychology, sociology, and physiology. Each of these is equal in weight in terms of interaction with one another and impact on the reader’s experience of the character.

Even though the text may not present them as equal by offering each equal real estate, the mind/heart of the reader will create the missing bits as needed (up to a point).

Figure 2 shows the components that the reader combines to create their sense of character: Psychology, Sociology, and Physiology.

VennSocPsychPysThemFigure 2: The Reader Internalizes Three Character Components, which Are Inseparable from Story Thematics

Now, what I have said so far is pretty straight forward, albeit a little abstract. Even so, most writers can begin to see how they might build a catalog of physical character traits, how they might build up a backstory for each character, and how they might set both the backstory and the foreground story in a sociological milieu they have created. All good, and these are certainly things we will explore.

However, this is where it gets interesting and where many writers run into trouble, especially if they imagine story progressively in the same order readers read stories.

For a fully satisfying read, the reader’s perception of character must be loaded with elements that are either resonant with or in contrast to the thematics of the story. The nature of characters cannot be separated from the dramatics and thematics of the story. In a very real sense, character IS story.

One definition of story I’m very fond of is: Story is the demonstration of successful personal and social change as a result of stress.

In Figure 2, the three-part overlap at the center is labelled “thematics.” The reader’s perception of characters is critical in their eventual understanding of the themes of the story. If the characters are built with sufficient skill, the reader’s perception of them will be inseparable from the reader’s perception of the themes the story demonstrates.

The themes being demonstrated, or even just touched upon, by aspects of character may be explicit or implicit in the text, which is another way of saying the actual, literal textual representation of character may present or imply themes. Additionally, the reader will project their own life experience into the story and onto the character. Note that I said “will” and not “might.” No reader can divorce themselves completely from personal experience, and the writer must manage the reader’s projections by being very specific and appropriately vague. That last bit gets a lot of writing instructors a bit up in my face. It flies in the face of the “concrete details” and “show, don’t tell” adages. However, any selling fiction writer will likely agree that knowing how to let the reader’s imagination create a story is intertwined with knowing what words to put on the page and what words to leave off.

The first two classes in the six month series will explore the above theoretical interactions by practicing hands-on techniques for developing and managing characters in emotionally compelling fiction. The first class will focus primarily on how the reader builds their understanding of character, and hence story and theme, from what the character says and does. The second class will focus primarily on how the reader builds their understanding of character from the more subtle influences of the character’s social and psychological history as presented or implied in decision making and setting experience. Both classes will explore techniques for managing the reader’s contribution to character and story.

Here’s the link to the series. I hope we fill the room with highly creative, motivated writers who challenge the limits of techniques we play with. That is when the classes really sing for everyone involved.

https://wordcraftersineugene.org/ff_witchey/

Luck and skill to all who write and send.

End

To Purge or Not to Purge

By Cheryl Owen-Wilson

To purge, or not to purge, that is the question.  Whether ‘tis nobler to allow our minds to wallow in misery,  hoarding our past misfortunes, and sorrows.  Or to purge, to purge all from our being, so creativity may blossom and flourish in its wake.

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To Purge—The act of ridding one’s self of unwanted feelings, memories and conditions. In doing so, one hopes to experience a sense of cathartic release.

It’s a New Year, and along with the New Year many make resolutions for change. In order to do so, they look back at the past 365 days and resolve to make the new ones better. Some examples of mine would be—writing that novel, losing those pounds, taking that trip, and on, and on. However, I’ve discovered the old year will follow me into the new one unless I—purge. For me it was never a question, to purge or not to purge. What was my question for years was—how? I stumbled upon my answer over 10 years ago, when I wrote my first, end of year, Christmas Letter. Yes, I’m one of those people. But once again, through the power of the written word, a great mental purge was discovered.

I utilize the craft of fiction, poetry, and memoir in my annual Christmas Letter, and since I write about my husband, our seven children, five grandchildren, and myself you can only imagine the length of said letter. Our children have taken to calling it, Our Mother’s Annual, Award Winning, Best in Fiction, Family News Paper. I call it my, End of Year Purge, because, we’re a very large family, with many personalities, and lives, and my aging brain can’t possibly remember it all, no matter how hard I try.

So while the children’s title is all in jest, as I can attest that every word I write in the letter is the absolute truth, how do I accomplish this without giving away family secrets? I’ve found a collision of fiction, mystery, and memoir accomplishes my goal quite nicely.  It is all in the arrangement of words you see—such as saying—Betty (names have been changed to protect the innocent) spent a year exploring the many avenues available to a young woman in her 20’s. This would be my way of saying, without actually saying it—Betty, spent the year either jumping from job to job, or boyfriend, to boyfriend—you choose, as I’ve used similar phrases for both scenarios. There have also been a multitude of boyfriends, girlfriends and even the occasional husband, who’ve been featured in the letter and shown in photos only to be completely absent the next year, or replaced by another name and face entirely. This is where mystery comes in—are they buried in the back yard or been abducted by aliens? No one ever asks, and we never say. However, even with my creative narrative, the magic of the letter is that year after year it captures a chronological story of our family’s lives. Through the letter, I am able to celebrate the sweet memories and accomplishments of each and every family member, while also purging the nasty bits that occur with humor and cleaver word choices.

The second half of the Christmas letter is a poem. The poem is my way of embracing the positive world events of the past year, while purging the negative, and also remembering those whom we’ve lost. This year’s poem is shared below.

So dear readers I say purge.  Write it all down, and burn it if you must, but purge none-the-less. My purging not only frees my mind of clutter, it also creates a recorded history of both family and world events for my grandchildren to look back upon and read, many moons from now. I would love to hear what rituals you use to purge in order to clear the clutter, and begin anew.

Let Hearts Grow and Bells Ring Out                              

Let bells ring out while snowflakes fly, and let tinsel and glitter fall from the sky.

Let mystical enchantment surround us, one and all, while peace, love and happiness, hold us tightly in its thrall.

Once again our home has been transformed into a storybook, fantasy world, where even tiny, Grinch-like trees can bring magic, when unfurled.

For the Holiday Season, is upon us once again dear friend.  So let us take a moment over a hot chocolate, or perhaps a hot toddy laced with gin.

As we look back at the event filled year of Two-Thousand and Seventeen, where future historians, I am certain, will proclaim, “How could they’ve not seen?”

There’s a reality star twittering rants from within the hallowed halls of our highest house.  Facts have become “fake news”, while with nuclear weapons, he plays cat, and mouse.

But within the red and blue swath of these our United States, there is still much to be applauded; fueled by our many debates.

We marched by the millions, pink hats in hand, and from that momentous occasion, the #metoo movement began.

Thus, all now know, we do have a choice, as we stand speaking loudly in one, strong, united voice.

Then on to a lighter note, for the perfect stocking stuffer, we have a winner, but do we really, truly need, that double, fidget spinner?

I much prefer the momentary craze dedicated to the Unicorn’s vibrant rainbow hue. As it has given us, color-laden Frappuccino’s, bagels, and of course, Unicorn dip poo!

While here in Eugene, for those of us “Ducks” who bleed yellow and green, this years “civil war game” was an orange and black defeated, scene.

And Mother Nature chose this year to give us quite a display.  We watched in throngs—as day became night—what more can I say?

Other than, let us not forget the YouTube sensation, followed faithfully online, when April the Giraffe, gave birth live before millions, for the very first time.

Alas, many new beings entered this realm throughout the past year, but there were also those who left us. So, let’s give them a final, good cheer.

For Mr. Tom Petty, I know he now has wings, and has Learned to Fly, and is Free Fallin’ though a starlit night sky.

And Mr. Monty Hall is making heavenly deals, while listening to Fat’s Domino serenade him with Blueberry Hills.

Then Gentle on My Mind is a Rhinestone Cowboy riding through the clouds, heralded by the applause of adoring, heavenly crowds.

Finally, I throw my hat to the sky in memory of Ms. Mary Tyler Moore, and to Jerry Lewis, I hope funds for MDA continue to ever pour.

I now gaze out my kitchen window at our newly planted, crooked Dr. Seuss Tree, and it reminds me that by allowing your heart to grow, you can begin to see.

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So like the infamous Grinch of old, let all our hearts begin to grow, and grow, then perhaps through this great expansion of human compassion, seeds will sow, and begin mending not only fences, but also the divided borders across this earth. For isn’t that the true reason for this season, of renewal, and rebirth?

Love, conquers all they say, so let’s, let bells ring out, and let’s let love, have its way!