Nostalgia For What I Never Had

By Lisa Alber

I spent last week in Chicago and Lansing, MI, with my two younger sisters. We re-connected with relatives on both sides of the family: Mom’s side in Lansing and Dad’s side in Chicago. My dad passed away in 2001. My mom, last year. One of my maternal cousins, K, had found a five-year journal that Mom kept for one year, 1946. She was 14/15 years old, and she went to the movies every chance she could. She read a lot, sucked at algebra, excelled in English, went to mass and confession, loved horses, and enjoyed scrapbooking.

Except for mass and confession, that could be a description of me at that age. I got to thinking about how much she and I could have bonded. Why didn’t Mom mention her love of horses? Why didn’t she commiserate with me over my math woes? Why didn’t she take an interest in my scrapbooks?

Were we too much alike? I also recently learned that she had curly hair, which I inherited. She told me once that she never liked my hair.

Over in Chicago with my dad’s side, my one remaining aunt, J, mentioned that she’d felt sorry for us girls. She said, and I quote, “Your mom was never meant to be a parent.”

I loved her honesty, and I felt oddly relieved that she validated what I’d always intuited. I grew up with my basic hierarchy of needs met—shelter, food, water—and that was about it. Years ago, a therapist called it “benign neglect.” I was pretty feral considering our suburban lifestyle. I remember crusty, oozing, painful sores behind my ears because I was so dirty.

Aunty J recalled one of our rare family visits to Chicago, and how my parents dumped us at her house for the week and left without saying goodbye. We didn’t notice because for years they’d been handing us off to overnighter child-care minders while they larked off for long weekends in Carmel, CA, or wherever.

Aunty J also said my mom teased her mercilessly about how much she did for her kids. For example, baking cakes. To this day, I remember how amazed I was by her cake-frosting prowess. It was like I’d never seen a cake being frosted. “Wow, you’re so good at that!” She responded with something slightly grumpy, like, of course she was, no duh.

It didn’t occur to me to tell her that I didn’t know a frosted cake could look so tidy and yummy because Mom didn’t do cakes much, even for birthdays unless we begged. As the oldest child, I was the first to become aware that we didn’t celebrate birthdays and other holidays like “normal” families. I started to hector and insist on Easter baskets, birthday cakes, Christmas stockings and pretending that Santa existed (luckily, my dad was a Christmas guy when it came to having a beautiful tree), proper Halloween costumes, and please, could she cook us turkey for Thanksgiving? (Never happened.) I created rituals for us, as best I could.

I still don’t celebrate my birthday much, and I have a hard time remembering other people’s birthdays.

Anyhow, back to Aunty J. Apparently, when she spoke long distance with her brother, my father, he talked about what we girls were up to—he was interested even if he was never around—but Mom never talked about us.

I know many things about Mom now: undiagnosed depression (she was usually in bed when we got home from school); sexual abuse on her mom’s side of the family; a huge family scandal when Mom was a teenager; her own bitter, overly staunch and crusty mom; an out-of-wedlock son given up for adoption; loss of the man who I suspect was Mom’s soul mate; CIA recruitment straight out of college and life in Europe after that …

She will always be a mysterious figure—a figment that reflects too readily back onto me.

Could I write a novel based on nostalgia for what I never had? I suppose I could. A novel about absentee mothers, mother-daugher relationships, misperceptions, family mysteries … but I probably won’t. Or, maybe I already have with Kilmoon.

Seriously Silly

by Christina Lay

I’ve always been a fan of silliness well-done. Be it Monty Python’s Ministry of Silly Walks or Tom Robbins writing from a vibrator’s POV or Douglas Adams taking us across the universe with nothing but a towel and terrible poetry for company, there is a special sort of joy in reveling in a world where the absurd is commonplace and maturity is a liability.  Lately though, it seems like everyone is becoming much too serious; unable to laugh at themselves or enjoy a quirky perspective on life in general. Our entertainment reflects this, and we get more Game of Thrones, less The Tick. This despite the fact that the more grim and desperate reality becomes, the more we need to laugh, to lose ourselves in mirth.

Just today in a daily inspirational email that I receive, I read this on silliness: “We play yet we do not lose ourselves in play, and our imaginations are never truly given free rein because we regard the products of irrational creativity as being valueless.” Madisyn Taylor, Daily Om.

Irrational creativity. I love that. I had already been thinking about the value of silliness when I read it because I’d been planning to review the book, Space Opera, by Catherine M. Valente, so lucky me, it ties right in to the larger, all important theme of this blog. Yes, as the title suggests, Space Opera is pure and unapologetic space opera (Meaning Science Fiction that pays no attention whatsoever to physics or actual technology. Getting across the galaxy or even the universe might be as simple as pressing a button or hijacking a police call box). This book not only indulges in make-believe science, it revels in it. I appreciate that.  The book is sheer fun, sheer silliness, imagination run riot, and yet…

For a truly silly book to be memorable and not just a forgettable airplane read (which is of course valuable in its own right) a well-crafted silly book is anchored by moments of profundity. The thing about humor is there’s really no better way to set the reader up for a glimpse into the heart and soul of humanity. It’s Us laid bare, exposed, shown with all our warts and ill-fitting plaid jackets, but with compassion, kindness and a deep understanding of the silly kid locked inside of us all.

So that was quite the sentence. To break it down, I’ll quote Catherine Valente. “Life is beautiful. Life is stupid.”  That’s basically the theme of the book. We laugh, we tear our hair out, we cry, we sigh in wonder. A good silly book reminds us of all that.

Space Opera was inspired by an international music competition called Eurovision, where contestants are encouraged to be as outrageously fabulous as possible. I’m thinking Elton John on Acid at a Drag Queen fire sale with glitter explosions in the background (remember, this is the reality part). In the book, Humanity is called upon to prove itself sentient by performing a song of heartbreaking beauty and fabulousness in a musical competition on the other side of the universe.

Naturally, just telling the aliens that we’re sentient doesn’t work. Look at our history, at our now, at all the terrible things we’ve done and keep on doing. So what’s silly about that, you might ask (grimly, brow furrowed)? Nothing. What makes it silly is that we’re also capable of wonderful, fantastic things. The conflicted dichotomy of the human race is stunning. Paralyzing. Beautiful. Stupid. What can you do but laugh?

Valente has mastered the art of irrational creativity. Kudos. And her characters are intensely human, lovable, and relatable. My only nit with this book is that the ratio of narration to actual scenes is off, IMHO. I’d like to spend more time with the characters, and less time reading lengthy (although mostly hilarious) summaries. That aside, this is a thoroughly enjoyable book, with silly and heartfelt both in good measure. In her afterward, she pays homage to Douglas Adams, as is right. I believe Adams, the grand master of silly, would approve.

Even if your current project isn’t silly in the least, it is healthy to allow irrational creativity to flow now and again, to laugh at yourself and your agonizingly constructed sentences, to play at the page. Maybe you’re writing a murder/horror mystery wherein everyone dies. If you don’t allow yourself to be silly while writing something like that, watch out. You will become grim and furrowed. And I suspect that a touch of silliness will make your characters more relatable, your tragedy more heartfelt. As writers, it’s not only the readers we have to think about, but ourselves. To keep ourselves fresh, motivated, happy in our art, we need to breathe, and the best way to get fresh air into our brains and our heart is to laugh.

5 Ways to Put the Romance into Necromancy by Sarina Dorie

Today on ShadowSpinners we welcome Sarina Dorie, creator of the popular series: Womby’s School for Wayward Witches.

 

5 Ways to Put the Romance into Necromancy—Writing Romance

 by Sarina Dorie

I have a background writing science fiction and fantasy. I am a member of SFWA (Science Fiction and Fantasy Writers of America) and the majority of what I write has some kind of speculative element. I also have a passion for romance. I’m a member of RWA (Romance Writers of America) and a lot of what I write has a romance plot or subplot. I am bored by stories that don’t include female characters and relationships of some kind. I love sci-fi but if it is all engines, laser guns, and starships blowing up, my eyes glaze over. That is just my personal preference. I know what I like to read and what I want to write.

Put the two genres together that I am passionate about, and we get paranormal romance—if the story contains vampires, werewolves, and witches in contemporary settings. When it has a werewolf but it isn’t contemporary, it might be fantasy romance or even science fiction romance if it is set in the future. Sometimes the combinations can be pretty eccentric. Because I like humor, eccentric works for me. But this is also coming from someone who has a short story titled “Putting the Romance Back into Necromancy,” and I have an urban fantasy romance titled “Reading, Writing and Necromancy,” which is part of my Womby’s School for Wayward Witches Series. These are funny horror or humorous urban fantasy romances that use both genres to their advantage.

If you are thinking about including romance in a story or writing a romance, consider a few things first:

1.Understand what romance is.The love story should be necessary to the plot. The characters need to have a HEA (happily ever after) or HFN (happy for now) if it is considered romance. It is fine if it doesn’t, but if that is the case, it might be horror with There is a difference and readers have expectations when a book is marketed as a romance. Just because you are including a love story doesn’t make it a romance.

For example, someone told me I needed to see Me Before You because I would love it—because it was a romance and it was about a woman with unusual fashion tastes like me, apparently. I watched it, and I loved it, then I got to the end, and realized it wasn’t a romance. Then I hated it. But I didn’t really hate it. I actually like the movie a lot, but I went into it with the wrong expectation.

 

2. Find the heat level appropriate for the story. Not all romance has sex. The point of a sex scene in a well-written romance should be part of the plot and character arc. Just as a science fiction novel would be broken without the science, taking the love scenes/relationships out of a romance novel would break the plot. If the novel doesn’t need a sex scene or it is outside your comfort zone, you don’t need to include it.

There are many romance novels out there that do not have sex scenes on the page or implied. Some books end on the proposal, wedding, or a happy moment when the characters finally kiss and confess their feelings for each other. Young adult, sweet romance, and inspirational don’t include sex scenes. On the other end of the scale, erotica is more sex scenes than plot and can include a variety of kink like ménage, harem, or bondage.

 

3. Find the tropes for your genre. A trope is a plot device. All genres have them. It isn’t that a trope is inherently bad, although some readers hate particular ones while someone else loves that trope. Readers expect them. In romance, the trope is generally the element that helps the hero and heroine meet or keeps them apart. The thing that makes a trope work is subverting the readers expectations so that the writing feels fresh and original.

If you are writing a horror novel, mystery, historical, thriller, etc. my favorite tropes might not be the tropes you and your audience are drawn to. Figure out what works for you. How do you find tropes appropriate for your genre? (See article: Paranormal Romance and Fantasy Romance Tropes.)

 

 

4. Enjoy the process of research. If you are a writer, you probably enjoy reading. I know all of us writers say we are all too busy to read, but we need to do it to see good examples and bad examples. The guilty pleasure that makes my life more tolerable is audiobooks. I love reading, but I don’t always have time. It is a handy way for me to do research. I “read” books and analyze why I find it trite, boring, and lacking in sexual tension or why I am rooting for the characters. Is it the evocative language? Is it the way the author captures the senses? Is it the building tension between the characters? There is a lot of different kinds of romance—and love stories that are beautiful but are not the romance genre.

Find out what works for you and what doesn’t, whether it is style, language, heat level, or tropes. If you disdain the genre and the idea of including a happy ending, love scene, or relationships, ask yourself why you are punishing yourself by writing a romance. Maybe you really are wanting to write horror with romance elements.

I thought I was writing a slow-burn romance series when I started Womby’s School for Wayward Witches, but as I wrote more books, I realized the romance was not the central plot in every book. It was the B plot. Also, not every book had an HFN or HEA ending with the romance. Because I have done my research and I know my genre, I know what these books are and are not. I would call them urban fantasy mysteries with romance. I had a lot of fun writing them, and I think readers are enjoying reading them, so I am okay with them not being romance.

 

5. Practice—in whatever way makes sense to you. For me, practice is writing. Sometimes writing short stories or flash fiction can be a great way to exercise the mind and get out ideas. A couple years ago at a Romance Writers of America meeting I attended, one presenter talked about how she makes sexy storyboards of all the things to set the mood. At another meeting, a different presenter talked about all the positions she tries with her husband—then has to race away from bed to go write down all the positions it is humanly possible for people’s bodies to contort into. Whatever floats your boat, right?

Whether you are interested in including romance in your genre because it is what you like to read, you are interested in tapping into a different market, or it fits into the story you are writing naturally, I highly recommend checking out Romance Writers of America as a resource.

 

 

Sarina Dorie has sold over 150 short stories to markets like Analog, Daily Science Fiction, Magazine of Fantasy and Science Fiction, Orson Scott Card’s IGMS, Cosmos, and Abyss and Apex. Her stories and published novels have won humor contests and Romance Writer of America awards. She has over two dozen books available on Amazon including her steampunk romance series, The Memory Thief and her collections of short stories like Fairies, Robots and Unicorns—Oh My! are available on Amazon, along with her series Womby’s School for Wayward Witches.

You can find info about Sarina Dorie’s short stories and novels on her website:

www.sarinadorie.com

 

The best way to stay in contact with Sarina Dorie, hear about what she is writing, know when she has a new release, or books offered for free on Amazon is by signing up for her newsletter.

https://mailchi.mp/sarinadorie/authornewsletter

 

How to Get Rich Selling a Novel to a Major Publisher, 2000 vs. 2019

person woman tie hat

Photo by Pixabay on Pexels.com

Prologue: I wrote this as a joke among friends in January. This week, I posted the original version as a thread on Facebook. Sadly, it was taken seriously. I’ve been full-time freelance since 1990. I have had wonderful experiences with editors, agents, publishers, and other writers. I’ve also had horrible experiences that include having work stolen, pirated, and used in ways I did not authorize and from which I did not profit. Buy me a scotch at a conference, and I’ll tell you horror stories. However, I will also require you to listen to the glorious moments that I have been privileged to experience. I know of no profession or job that does not include both good and bad experiences. Writing, more than most jobs, is a lifestyle profession. Please don’t take this seriously. Little bits are true. Other bits feel true to some people. However, that little bit of truth and feeling are mixed with lies and myths to create the following.

How to Get Rich Selling a Novel to a Major Publisher, 2000 vs. 2019

by Eric Witchey

2000:

  1. Learn the Craft.
  2. Write a good book.
  3. Get an agent.
  4. Sell the book.
  5. Go to signings and parties.
  6. Write another good book.

2019:

  1. Be really lucky, or….
  2. Establish financial support and freedom to pursue craft: husband, wife, trust fund, inheritance, poverty lifestyle, Patreon, GoFundMe, hut on a third-world beach, a diamond heist, etc.
  3. Choose a currently very popular genre. Base the choice on what you like to watch on TV.
  4. Read a few popular books in that genre so you can pretend to have read a lot.
  5. Learn enough of the language of craft any way you can to sound like you understand it when you are interviewed for webcasts or by Oprah.
  6. Establish credentials that prove you learned the craft: A couple honorary internet Ph.Ds or a six-week, low-residency MFA are good enough. In a pinch, Microsoft Certifications can be used. You can also purchase reviews, purchase awards, and pay someone to campaign for awards for you.
  7. Spend a few thousand dollars attending a conference and buying people drinks where editors and agents can be met and slowly befriended while you repeat this exercise 20 times a year to demonstrates that you have number 2 firmly in hand and can travel the country and world promoting and hand-selling the books a publisher might buy.
  8. Establish platform: Build, buy, or steal a mailing list of over 50k people, create or hire out author sites on all social media systems. Don’t worry. You don’t have to use them. You just have to have them so the marketing team can nod sagely and say that you have platform.
  9. Establish more platform: Create or hire out a successful YouTube channel, generate endless self-promoted appearances, hire a click farm to manipulate search engine hits on your name to exceed 500k, participate in lots of blogs and vlogs talking about you and your life as a famous writer.
  10. Write, or hire someone to write in your name, a book or series of books that: can be compared to two, but no more than three, extremely successful books or series so that marketing people can begin to believe they won’t have to work if they allow your book to be purchased by the publisher. However, be careful that your book or series is just different enough so that they have to change the cover art, blurbs, and press releases they used for the books you compared yours to. You can’t be too careful with marketing people.
  11. Get a famous author with film industry connections, say George R. R. Martin, to pitch your book or series to Netflix, HBO, or the Syfy Channel.
  12. Get an offer.
  13. Show the unsigned film offer to a publisher.
  14. Get an offer.
  15. Show the unsigned book offer to an agent.
  16. Sign with the agent.
  17. Let the agent sell the book to the publisher, which will require a new contract that gives the agent a higher percentage of all derivative products.
  18. Agent says, ” It’s a good contract. You don’t want to be considered hard to work with. Don’t overthink. Just sign.”
  19. Let the agent’s film agent negotiate the contract for the film, which will require you to reduce your up-front and take points on net while the agent’s agent and the agent lock in a percentage of points on gross for themselves.
  20. Agents all say, ” It’s good. You don’t want to be considered hard to work with. Don’t overthink. Just sign.”
  21. Go online and vaguebook about what might happen soon.
  22. Read the marketing instructions the publisher publicist assigned to your book has sent you. Realize it will be expensive to fly to go to signings and interviews in places like the independent bookstore in Brillton, North Dakota, pop. 1700. Note that the marketeers have committed to nothing except sending you the list.
  23. Ask for money for promotion. Marketing people say, “This is standard for our first time writers.” Agent says, “The money will come. Stay focused.”
  24. Take out a loan against your advance.
  25. Remain upbeat and plucky. Dutifully start the prescribed prepromotion for the book, but carefully adhere to contractual constraints and only hint at the pub date and possible film. Wouldn’t want to sour the deal or be considered hard to work with.
  26. Continue prepromotion for one to five years before you can announce the pub date and the film deal.
  27. Finally announce a publication date range that is intended to match the film release.
  28. Come up with an idea about merchandising. Publisher loves it. Realize that all merchandising revenue is owned by the publisher. It’s a good contract. Don’t overthink it.
  29. Politics and infighting end the film production.
  30. Production company declares bankruptcy.
  31. Agent says they can’t help.
  32. Agent’s film agent won’t return calls or emails.
  33. Hire an entertainment lawyer.
  34. Receive bill from lawyer for lots of phone calls, prework on lawsuit, and the final meeting in which you are told you are a creditor and won’t get paid.
  35. Publisher blames the story. They drop you just after you have delivered the second book, which you wrote in hotel rooms, vans, back alleys, and bookstores while promoting the first book and film. They cancel publication and demand the advance back.
  36. Agent blames the story. The second book, which you personally fought to get back from the publisher, “isn’t right for them at this time.” They drop you and tell you that you have to pay the advance back but won’t get their percentage back because they did their job and get paid for the work they did.
  37. Bookstores remainders your first book. Your name is forever associated with losses on their computer ordering systems. Even if you had another book, they wouldn’t order it because your name is on the cover and the last one lost money. However, they got paid for the books they sold and didn’t have to pay a dime for the books they didn’t sell. There’s that.
  38. You realize that you are the only one who does not get paid for the work you did.
  39. But wait. A huge company bought the assets of the defunct production company. The project is resurrected. The film is made. Hooray!
  40. You celebrate with a banquet for your sister and both your patient, supportive friends. The brewpub has never had it so good.
  41. The film burns bright in pre-release focus viewings. A novelization of the film goes to your former publisher. It tops out the NYT Bestseller List. Everyone gets paid except you because you were only a creditor to the first production company.
  42. Your accountant sends you a bill and a P&L that shows your net profit for the entire process is: -250k.
  43. The lawyer puts a lien on your house.
  44. Return to 1.

Review ~ Storm of the Gods

Welcome to the first outing of a new feature on ShadowSpinners. Every once in a while, when one of us is impressed by a book, we’ll post a review. Sometimes the post might be part of a book tour, like today, in which case there’s an option to enter a giveaway. Don’t worry, we will not be flooding your inbox with empty posts that are just ads for books. We will be very discerning about which books and tours we decide to host.  That said, on to the review:

Storm of the Gods by Amy Braun

An Areios Brothers Novel #1

I was interested in reading Storm of the Gods for two reasons. First, the world building sounded amazing, and I love fantasy novels that bring gods into the mix.  Second, I’d read Amy Braun’s excerpts on the Weekend Writing Warriors blog hop, and always enjoyed the exciting and energetic pace of her action scenes. (Okay, I guess that’s three reasons: world building, gods, action!)

The book did not disappoint in any of those areas.  This urban fantasy is set in a contemporary California that has been taken over and divided up among the Greek gods, who are recently reawakened and looking to kick some ass and get their power back. Oh, they’re still godlike and powerful, but not as much as before, because humans stopped worshipping them. I like my fictional gods with frailties and flaws, and all of the Olympians in Storm, while fearsome and magical, have weak spots, which makes them so much more interesting than all-knowing, all-seeing deities lounging on top of a mountain somewhere. Some of them are indeed super villains, or seem to be, but are layered with so much pathos and personality that they seem quite fresh, despite the fact that we’ve read about them since 7thgrade mythology class.

This new world under the rule of gods is intricately thought out and vividly described, but don’t worry, most of the words you’ll be reading are snappy dialogue and quickly paced action sequences, not florid descriptions of a world gone divine. Actually the world (or California at least) seems to be in pretty sorry shape, with monsters charging about and angry gods destroying things. I’d like to read more about how the rest of the world is reacting to this divine take-over, but maybe they’re just shrugging and ignoring like they do now because—hey—it’s California.

That said, all the magical whiz bang and neato-god stuff wouldn’t be enough to sell me on any book. I am first and foremost a connoisseur of Character, and need well-developed protagonists, allies, friends and enemies to keep me wrapped up in a story. Storm also delivers on this front. In the first pages we meet the Areios brothers; older brother Derek, and younger brother Liam. They are scions, meaning they’re descendants of a god-human hook up. In this case the god is Ares, god of war, and the brothers are his top soldiers, fighting monsters mostly, but also other scions who piss Ares off. Yes, they are kick ass fighters, but they are also compassionate, intelligent, and not too happy about basically being slaves to Ares’ violent whims.

The relationship between Derek and Liam is what really makes this story gripping. From the first pages, you want to hug them and feed them hot chocolate and cookies, they’re so lovable. They have witty, sibling appropriate banter (fans of Supernatural should be very happy) but they care about each other deeply. They have a dark and twisted past involving a rather demented father, but their love for each other keeps them on the right side of that whole good vs. evil conundrum. And they can bring others into their fold, if those others earn their trust. There is a possible love interest blooming, but don’t worry, she’s kickass too and doesn’t slow the action with any lovely dovey nonsense.

My only persnick with Storm is that there might possibly be too much action. The fight scenes are impressive; Derek gets his ass royally kicked soooo many times, but his magical abilities, and those of his brother, help him heal. Just in time to get monster-stomped once again. Although exciting for the most part, it does get to be a bit much for a reader like me who is not so action-oriented. I’m sure many will revel in those long, drawn-out battles. Me, I’d rather listen to Liam and Derek tee-off on each other. I’m very much looking forward to the sequel, maybe with more page time for Liam (hint hint).

I highly recommend this book to anyone who enjoys urban fantasy, and who is not adverse to generous helpings of whiz-bang, action, re-imagined mythology, and humorous banter.

I received an ARC in order to review this book, but I’d already bought my own copy, so there.

***

Storm of the Gods

An Areios Brothers Novel #1

by Amy Braun

Genre: Urban Fantasy

Thirty years ago, the gods of Greek legend returned to the world. Their return restored their powers, which had been spent in a cataclysmic battle with the Titans. With the ancient deities imprisoned in Tartarus, the Olympians now reside in Néo Vasíleio, formerly known as California.

Twenty-four-year-old Derek Aerios is a war scion, a descendant of Ares, the God of War. He and his brother, eighteen-year-old Liam, capture mythological creatures and rogue scions as part of Ares’s elite military force. As he struggles to cope with his violent powers and the scars of a traumatic childhood, Derek tries to keep the two vows he has made: protect his brother, and never kill a human again.

But when Ares forces him to hunt and kill four rogue scions under Athena’s control—by threatening Liam’s life—Derek chooses to go after the scions in order to save his brother and keep his promise to himself.

Yet the closer Derek gets to the scions, the more he realizes that his orders are part of a deeper conspiracy that put him at odds with his mission and his conscience. Athena may not be the enemy, a traitor could be in their midst, and the Titans could be closer to freedom than ever before.

Add to Goodreads

Amazon* B&N* Kobo

Goodreads:

https://www.goodreads.com/book/show/42072790-storm-of-the-gods

Buy Links
Amazon:https://www.amazon.com/Storm-Gods-Areios-Brothers-Novel-ebook/dp/B07GCRJS1Z
B&N:https://www.barnesandnoble.com/w/storm-of-the-gods-amy-braun/1128858892
Kobo:https://www.kobo.com/us/en/ebook/storm-of-the-gods

 

 

About the Author

Amy is a Canadian urban fantasy and horror author. Her work revolves around monsters, magic, mythology, and mayhem. She started writing in her early teens, and never stopped. She loves building unique worlds filled with fun characters and intense action. She is an active member of the Weekend Writing Warrior community.

When she isn’t writing, she’s reading, watching movies, taking photos, gaming, struggling with chocoholism and ice cream addiction, and diving headfirst into danger in Dungeons & Dragons campaigns

 

Website* Newsletter* Facebook* Twitter* Instagram* Amazon* Goodreads

 

Author Links

Website:http://amybraunauthor.com/books/storm-of-the-gods

Newsletter:http://eepurl.com/dFm9cL
Facebook:
https://www.facebook.com/amybraunauthor

Twitter:https://twitter.com/amybraunauthor

Instagram:https://www.instagram.com/amybraunauthor

Amazon:https://www.amazon.com/Amy-Braun/e/B00MU4BBYS

Goodreads: https://www.goodreads.com/author/show/8452020.Amy_Braun

 

Giveaway

Signed paperback copy of STORM OF THE GODS, various bookmarks, and postcards (US & Canada only), $25 Amazon (WW) – 1 winner each

 

Follow the tour HERE for exclusive excerpts, guest posts and a giveaway!

https://www.silverdaggertours.com/sdsxx-tours/storm-of-the-gods-book-tour-and-giveaway

 

 

Paranormal Romance and Fantasy Romance Tropes by Sarina Dorie

This week on ShadowSpinners we welcome Sarina Dorie, creator of the popular series, Womby’s School for Wayward Witches.

 

Hades & Persephone: To the Underworld

 

Paranormal Romance and Fantasy Romance Tropes

 by Sarina Dorie

What is a trope?

A trope is a plot device. All genres have them. When done well, a trope feels natural and necessary to the plot. When it isn’t done well, it feels contrived or unoriginal. It isn’t that a trope is inherently bad, although some people are very opinionated about the ones they love or hate.

In every genre, readers expect them. In romance, the trope is generally the element that helps the hero and heroine meet or keeps them apart. The thing that makes a trope work is subverting the readers expectations so that the writing feels fresh and original.

 

What’s an example of a trope?

For example, one of the tropes of Romeo and Juliet (which is a love story, not a romance in case you didn’t realize it) is the idea of enemies to lovers or rival houses. This is the same trope in Westside Story. It’s used in many other movies, books, and television shows.

 

In Twilight, the idea is used with vampires versus werewolves with the protagonist being caught in the middle. After Twilight was published, this trope was used a lot in paranormal romance, specifically the rivalry of vampires versus werewolves. It became an easy (and sometimes lazy) way of creating conflict. For years every paranormal fantasy novel I picked up had rivalries between vampires and werewolves. Writers kept writing it because readers kept reading it.

But every plot was the same: He was a misunderstood vampire with a dark past. She was a werewerewolf/werebear/werepanther trying to avenge her clan. They were mortal enemies, but the only thing they could think about was each other.

 

The trope got old. The conflict felt contrived. People made fun of the genre. This is probably why What We Do in the Shadows worked so effectively. It subverted the viewer’s expectations. The vampire versus werewolf rivalry focused more on the bromance of the story. The actual love story/romance was the B plot (secondary plot) for one of the other characters. This B plot also explored tropes taken to their extreme. And of course, there was the unforgettable line from this movie “werewolves not swearwolves” that lives on in my memory forever.

 

What are examples of your favorite tropes?

That’s just me and my preferences. That trope of enemies to lovers or rival houses lives on in paranormal romance.  When done well, it doesn’t feel contrived, but there are other tropes that other people don’t like because of the execution. Some of my personal favorites that I use in my fantasy and science fiction romance novels are:

Beauty and the Beast

Fairy Tales

Enemies to Lovers

Love Triangles

Sassy heroine

Amnesia

Tragic past

Was it a lie? (disguise/undercover love)

Breaks her heart to save her

Noble rescuer steps in because she’s dating Mr. Wrong

 

Anyone who has ready my Womby’s School for Wayward Witches Series is going to recognize some of these. The first two tropes work especially well in the kind of fantasy and science fiction I write. Sometimes my monster/beast is the pretty human or an unassuming Prince Charming is the real beast. I already like fairy tales and fairy tale retellings, so fracturing a fairy tale worked well for me like in my novel WRATH OF THE TOOTH FAIRY coming out in the summer of 2019. Think about Shrek and why it did so well. The movie completely subverted our expectations.

 

How do you use a trope?

Everyone writes differently. I don’t usually set out to write a trope, it just happens. In the editing phase or partway through writing, I try to be aware of elements that might not be original and subvert expectations. If you are writing a horror novel, mystery, historical, thriller, etc. my favorite tropes might not be the tropes you and your audience are drawn to. Figure out what works for you.

 

How do you find tropes appropriate for your genre?

Do some research. A while back I found some lists of romance tropes. None of these are complete. There are more I find myself using that aren’t on these lists, but it gives you a starting point to think about.

145 Romance Tropes

https://goteenwriters.com/2015/12/16/145-romance-tropes/

All the Kissing’s Favorite Romance Tropes

https://allthekissing.com/2018/02/atk-romance-tropes/

Romance Tropes: What Words for Romance Readers

http://arghink.com/2015/10/romance-tropes-what-works-for-romance-readers/

Sarina Dorie has sold over 150 short stories to markets like Analog, Daily Science Fiction, Magazine of Fantasy and Science Fiction, Orson Scott Card’s IGMS, Cosmos, and Abyss and Apex. Her stories and published novels have won humor contests and Romance Writer of America awards. She has over two dozen books available on Amazon including her steampunk romance series, The Memory Thiefand her collections of short stories like Fairies, Robots and Unicorns—Oh My!are available on Amazon, along with her series Womby’s School for Wayward Witches.

You can find info about Sarina Dorie’s short stories and novels on her website:

www.sarinadorie.com

The best way to stay in contact with Sarina Dorie, hear about what she is writing, know when she has a new release, or books offered for free on Amazon is by signing up for her newsletter.

https://mailchi.mp/sarinadorie/authornewsletter

 

 

A Whole New World

by Amy Braun

I think it’s pretty safe to say that these days, most of us wish we were somewhere else. It’s hard to get up in the morning and realize you live in a world where absolutely absurd, cruel, and wretched things happen, and that when you do donate or speak out, it can be hard to feel like you’re contributing. I’m not saying to give up (never, ever, do that because your contributions and donations truly do matter and truly do help), but every once in a while we just want to escape this world and dive into another one.

The solution is actually quite easy and pretty cheap: Books.

As a reader, I’m a sucker for a book with an amazing setting. Red Rising, Nevernight, and LifeL1K3 are just some of the books that have drawn me in with their exquisite and visceral worlds. As a writer, creating them is something I’m addicted to.

Urban fantasy is one of my favorite genres to both write and read, and the moment I decided to write Storm of the Gods, I knew it could only be urban fantasy. But I didn’t want my setting to be like most urban fantasy worlds, where the buildings haven’t changed, the people haven’t changed, and my imagination can’t really stretch. No, I wanted to twist in new elements. I had to—You can’t exactly write a book about reawakened Greek gods and expect them to share your idea of architecture and décor.

Greek mythology is one of my oldest love affairs. I won’t claim to be an expert, but I’ve read enough to understand what would appeal to each deity. Since the gods in the Storm universe have only returned to our world thirty years ago after a two thousand year slumber that saw them reduced to fairytales, their powers are not as strong as they had been. While creating the history of this world, I knew that the gods would be divisive but need to work together to build their New Kingdom.

So I took the setting—a reimagined version of California—and broke it up into pieces for each of them and their scions, the humans who are descended from the Olympian’s lusty escapades.

From there, I changed each region to match its Olympian. Dionysus got all the vineyards. Artemis has all the forests and hunting grounds. Poseidon owns Santa Monica and most of the beaches and ocean. Aphrodite’s region is one big romantic getaway on one half, and the other is a literal red light district.

Doing this was a long, tiring process, because each region needed its own security, temples, distinct personalities and types of residents, but it was ultimately worth it. I love the world I created, and it ends up feeling like an entirely different place rather a slight deviation from normality that happens in most urban fantasy novels.

World building is one of the longest and most taxing processes in writing, but it’s one of my favorites. Whenever I do it, I feel not only a connection to the characters I’m creating, but I understand the mechanics of my story and the rules of society. I also understand how my characters can––and often will––break them.

At the time of posting, there are only certain sections that will be explored in the first Areios Brothers novel. But I have at least four more books planned as well as three novellas, so it’s safe to say that there will be more worlds and adventures for anyone who enjoys this New Kingdom as much as I do.

***

 

 

***

Amy is a Canadian fantasy, steampunk, YA, and horror author. Her work revolves around monsters, magic, mythology, and mayhem. She started writing in her early teens, and never stopped. She loves building unique worlds filled with fun characters and intense action. She is an active member of the Weekend Writing Warrior community, and has even had a spotlight on the website of international best-selling author Michael J. Sullivan (The Riyra Chronicles, Legends of the First Empire).

When she isn’t writing, she’s reading, watching movies, taking photos, gaming, struggling with chocoholism and ice cream addiction, and diving headfirst into danger in Dungeons & Dragons campaigns. Amy can be found online on Facebook (www.facebook.com/amybraunauthor/) Twitter (@amybraunauthor) and Instagram (@amybraunauthor)

amybraunauthor.com